Strousdburg High School
Spring, 1999
We often took our high school students to Broadway. Our high school was only 1 1/2 hours from Manhattan so a few times a year, we had open field trips for kids to see a Broadway show. We would buy a block of tickets which gave us great discounts and made it affordable for a large group of kids.
And our students were a pretty good audience. They had been exposed to enough theatre in Stroudsburg
and NYC that het knew how to behave. But
we still made it a practice to review our expectations of good audience
behavior before each performance. No
whistling, talking, whispering, singing along, sending messages, tapping,
taking photo, making comments during the show, etc., etc., etc. Be generous
with your applause, etc. Be polite. No
running to the restroom during the performance. No fanning yourselves with your
programs. The audience has come to see
the performance, not you. No one wants
to see or hear from you.
As one of the adults gave our standard speech, a kid or two
would inevitably mouth along with what we were saying. It was his own private protest to what he
thought was the absurdity of our expectations.
We would usually ignore this type of kid because his classmates would
elbow him until he stopped. And sometimes
he got hurt just a bit and that was okay.
Usually, we sat on one section as a large group. It would be just the 100 of us tucked away in
the corner of the balcony. But for one play, we were scattered all over the
balcony and the mezzanine. That meant
we, the adults, had to split up and give our expectation speech several
times. I took the balcony and I went to
each pocket of students and I gave each new version of my speech with more and more
gusto. I think I gave the speech five
times and by the time I got to the fifth group, I had given them so many ultimatums,
that it was almost comical.
“And if you do any of these things, you will be sorry,” I
tell them with a tone that left no intent to debate. “I’ll beat you until you
bleed. I will publically humiliate and ridicule
you. I will make you walk home. You will never get to go to another play
again.” I went on and on in my attempt
to make my position perfectly clear: there was to be only appropriate theatre
behavior.
I finished with the last group and posed my closing
question: “Do I make myself perfectly clear?””
“Yes”, they responded in unison and with a slight tone of
fear in their voices. I felt a little smug,
“Good, do you understand the consequences?”
“Yes”, they replied with compliance unusual for high school students.
“Good, then enjoy the show.”
And I walked back to my seat and reported in to the other chaperones
that all of our students in the balcony have been addressed.
A few minutes later, I stood up and looked around. I took a quick inventory to determine if
everyone was behaving. I noticed the
last group of students I addressed is talking to an adult, a stranger. And they are pointing at me.
“Lynn”, I said to the chaperone sitting next to me, “do you
recognize that woman our kids are talking to?”
Lynn stood up and twisted her whole body to get a good look.
She put her hand over her brow to block out the glare and she stared for a
second or two. She turned to me and
pointed directly to them.
“Those kids” she asked?
“Yea,” I responded.
“They aren’t our kids.”
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